Семантична динаміка концепту БІЛИЙ у поетичній моделі світу Б.-І. Антонича
Вантажиться...
Дата
2020
ORCID
DOI
Науковий ступінь
Рівень дисертації
Шифр та назва спеціальності
Рада захисту
Установа захисту
Науковий керівник
Члени комітету
Видавець
Вчені записки ТНУ імені В. І. Вернадського. Сер.: Філологія. Соціальні комунікації. – 2020. – Т. 31 (70), № 2, ч. 1. - С. 32-37
Анотація
Охарактеризовано особливості функціонування концепту БІЛИЙ у поетичній моделі світу Б.-І. Антонича. Визначено специфічні риси концепту БІЛИЙ в українській культурній парадигмі та в поетичній моделі світу Б.-І. Антонича. Виявлено семантику мовних одиниць-репрезентантів концепту, простежено їх динаміку. Досліджено взаємодію традиційного й індивідуально-авторського начала у його структурі.
The article considers the specifics of the study of the concept WHITE in the Ukrainian cultural paradigm with its projection on the poetic model of the world of one of the brightest representatives of the Ukrainian literary process of the first third of the XX century, poet-modernist B.-I. Antonych. Considering the anthropocentric orientation of the modern scientific paradigm, a theoretical generalization of scientific ideas about concepts as special forms of human cognitive activity was researched, the basic principles and approaches to the study of concepts in the poetic model of the world were outlined, specific features of the concept WHITE in the Ukrainian cultural paradigm and B.-I. Antonych poetic model of the world were determined, its dynamics was traced, the interaction of traditional and individual-author principles was studied. It was found that the concept WHITE, which is functionally significant for world and Ukrainian culture, occupies a special place and in artistic picture of the world that emerges on the background of the B.-I.Antonych poetic discourse. In this regard the conceptual components of white in the work are considered not only as constants of the color spectrum, but also as a kind of cultural dominants, means of cognition and verbal assimilation of the world, that demonstrate the processes which are characteristic for corresponding stage of development of poetic language, stylistic changes, reflect the specifics of realization in the language of collective and individual consciousness. The system of categories of white was presented in the work as an autonomous sign subsystem. Its semantic field, on the one side, consists of images focused on the worldview of ordinary bearers of culture, on the other – among its elements are a number of components of psychological, symbolic, aesthetic, evaluative nature. They arise due to the associative connections of white with other components of the conceptosphere, individual authorial, symbolic and metaphorical reinterpretations of the categories of color naming and are represented by the connotations “pure”, “bright”, “sunny”, “joyful”, “happy”, “festive”, “native”, “sacred”, “sinless”, “unearthly”, “old”, “experienced”, “ancient”.
Охарактеризованы особенности функционирования концепта БЕЛЫЙ в поэтической модели мира Б.-И. Антонича. Определены специфические черты концепта БЕЛЫЙ в украинской культурной парадигме и в поэтической модели мира Б.-И. Антонича. Выявлена семантика языковых единиц-репрезентантов концепта, прослежена их динамика. Исследовано взаимодействие традиционного и индивидуально-авторского начала в его структуре.
The article considers the specifics of the study of the concept WHITE in the Ukrainian cultural paradigm with its projection on the poetic model of the world of one of the brightest representatives of the Ukrainian literary process of the first third of the XX century, poet-modernist B.-I. Antonych. Considering the anthropocentric orientation of the modern scientific paradigm, a theoretical generalization of scientific ideas about concepts as special forms of human cognitive activity was researched, the basic principles and approaches to the study of concepts in the poetic model of the world were outlined, specific features of the concept WHITE in the Ukrainian cultural paradigm and B.-I. Antonych poetic model of the world were determined, its dynamics was traced, the interaction of traditional and individual-author principles was studied. It was found that the concept WHITE, which is functionally significant for world and Ukrainian culture, occupies a special place and in artistic picture of the world that emerges on the background of the B.-I.Antonych poetic discourse. In this regard the conceptual components of white in the work are considered not only as constants of the color spectrum, but also as a kind of cultural dominants, means of cognition and verbal assimilation of the world, that demonstrate the processes which are characteristic for corresponding stage of development of poetic language, stylistic changes, reflect the specifics of realization in the language of collective and individual consciousness. The system of categories of white was presented in the work as an autonomous sign subsystem. Its semantic field, on the one side, consists of images focused on the worldview of ordinary bearers of culture, on the other – among its elements are a number of components of psychological, symbolic, aesthetic, evaluative nature. They arise due to the associative connections of white with other components of the conceptosphere, individual authorial, symbolic and metaphorical reinterpretations of the categories of color naming and are represented by the connotations “pure”, “bright”, “sunny”, “joyful”, “happy”, “festive”, “native”, “sacred”, “sinless”, “unearthly”, “old”, “experienced”, “ancient”.
Охарактеризованы особенности функционирования концепта БЕЛЫЙ в поэтической модели мира Б.-И. Антонича. Определены специфические черты концепта БЕЛЫЙ в украинской культурной парадигме и в поэтической модели мира Б.-И. Антонича. Выявлена семантика языковых единиц-репрезентантов концепта, прослежена их динамика. Исследовано взаимодействие традиционного и индивидуально-авторского начала в его структуре.
Опис
Оверчук, О. Б. Семантична динаміка концепту БІЛИЙ у поетичній моделі світу Б.-І. Антонича / Оверчук О. Б. // Вчені записки ТНУ імені В. І. Вернадського. Сер.: Філологія. Соціальні комунікації. – 2020. – Т. 31 (70), № 2, ч. 1. - С. 32-37. - DOI: https://doi.org/10.32838/2663-6069/2020.2-1/06.
Ключові слова
Мова. Мовознавство. Літературознавство. Language. Linguistics. History and Criticism of Literature. Язык. Языкознание. Литературоведение, Наукові публікації. Scientific publications. Научные публикации, Україна. Ukraine. Украина, концепт, concept, культурний концепт, cultural concept, культурный концепт, мовна картина світу, linguistic picture of the world, языковая картина мира, поетична модель світу, poetic model the world, поэтическая модель мира, ідіостиль, idiostyle, идиостиль, кольороназва, color name, цветоназвание, білий, white, белый, Антонич Б.-І., Antonych B.-I., Антонич Б.-И.